Vanity, Patriarchy, and Futility: Death Becomes Her

Robert Zemeckis’ Death Becomes Her is an ode to the perils of mortal sin. The 1992 cult classic is far more than just a vehicle for Bruce Willis’ moustache: one could argue that it also performs an incisive takedown of man’s desire to earn the notice of a patriarchal God.

I mean, one could make that argument. Look, reader, I’ll be honest with you: I spend a lot of time fielding the opinions of people who think that genre media and pop culture can’t sustain deep analysis, and I’m feeling very salty about it. People love to corner me at social and professional events to explain why genre fiction just doesn’t merit the kind of thought that real literature deserves. The people who do this seem unaware that a dedicated enough individual could write a thesis on the latent symbolism in a fistful of room-temperature ham salad. So this is ...