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What happens when a profound alienation from the world takes a turn for the surreal? While it’s not explicitly a tale of the fantastic, Kazuo Ishiguro’s The Unconsoled avoids realism as it tells the story of a musician whose circumstances are in a state of constant flux; add a mysterious device or two and you’d have a prime Philip K. Dick-style narrative on your hands. Michael McDowell’s Toplin eschews the outright supernaturalism of some of his other works but abounds with plenty of horror nonetheless.
The last few years have seen an abundance of work by the late Brazilian writer João Gilberto Noll being translated into English: first Quiet Creature on the Corner and Atlantic Hotel, and now Lord. (Adam Morris translated the preceding two novels; Edgar Garbelotto handled translation duties for Lord.) All three novels tell tales of profound alienation from the outside world. The narrator of ...