Keanu Reeves’ Constantine is a Terrible Hellblazer Adaption, But a Damned Good Modern Noir

When Constantine briefly shone on NBC, one refrain was that no matter how bumpy the series’ run was, at least it wasn’t the Keanu Reeves version. But really, on re-watching 2005’s Constantine, I found it works—for all the reasons it shouldn’t. The fact that the actors were all given scripts that varied wildly in tone? Shouldn’t have worked. Casting Gavin Rossdale? Shouldn’t have worked. The costuming? OK, the costuming all works perfectly—Gabriel and Balthazar have both matched their socks to their ties! And the pocket squares… I can’t even think about the pocket squares.

But the biggest way Constantine works is by using Hellblazer as a jumping-off point, rather than a stone-carved outline to be slavishly followed. In doing so, it creates a moody piece of modern, metaphysical noir.

The film draws on Garth Ennis’ classic Dangerous Habits arc, which diagnoses Constantine with terminal lung cancer. In a theological ...

Constantine and Gabriel
Stormare as Lucifer